Tuesday, 1 June 2010

The Matrix: A Retrospective

It's no exaggeration to say that this film helps define our generation. When it came out it was revolutionary. I rewatched it and I still think it's revolutionary.

The philosophical element is possibly the reason The Matrix stands out so clearly from others around it. This film changed the way people think about the world. We take it for granted how easily this film is used to help people think about existential concepts. The phrase, "y'know, like in The Matrix?" is commonplace. Ordinary.

However, it's also easy to read this and think that's the only reason this film is so great. After rewatching it, I've found greater appreciation for its story-telling and, more importantly, its style.

The Matrix is incredibly referential. Some influences are far more obvious than others. Most notably Cyber-punk and Kung-fu films. It's interesting that the Wachowski brothers have chosen such vastly different styles to form the overall aesthetic.

These elements seem to be fairly self-contained within individual locations. This is especially clear in the training scene where Morpheus fights Neo. The dark, grey, harsh asthetic of the 'real world' is juxtaposed against the fluid, airy wire-fights of the 'training world'. Ancient Chinese Zen clashes with futuristic Western dystopia - Crouching Tiger versus Alien.

'The Matrix', the training programs and the 'real world' all feel completely different. Each is clearly distinguished by its cinematography, character movement and music. The green filters used during scenes in 'The Matrix' world are iconic, becoming almost synonymous with this film.

There are other notable cinematic references. Much of the gun-oriented sequences are reminiscient of old-fashioned Spaghetti Westerns, most obviously in the final show-down with Agent Smith. There's a lot of mirrored imagery here that is very Sergio Leone.

There are a LOT of religious references too, mainly Christian, although some Buddhism and general Eastern philosophy too. To name a few: Zion, Judas Iscariot (Cypher), The Nebuchadnezzar, (Holy) Trinity, Neo rising from the dead and 'Spoon Boy'. Much of this seems incidental, but it's clear that the brothers have an interest in (and significant knowledge of) Christianity.

The most overt literary influence is Alice in Wonderland, which plays such a large part in the story. Neo follows the white rabbit, Morpheus asks him if he want to find out "how far the rabbit-hole goes" and Neo takes a pill in order to alter reality.

There's a lot of influence from classical literature too. The use of oracles and prophecies borrows from everything from Macbeth to Oedipus. There's also philosophy mixed in too. These elements are used as devices to explore the nature of destiny and free will. Neo is clearly a strong voice for Libertarianism, whilst Morpheus and The Oracle offer a more Compatibilist viewpoint.

However, simply listing everything that The Matrix has stolen from does not give the film-making duo the credit they deserve. Much of the content is entirely original. Who can forget the feeling when they first saw bullet-time, or the lobby-scene or even the crazy one-armed fight with Agent Smith at the film's climax? This was ground-breaking stuff!

All of these styles are layered over each other to form a hybrid that works exceptionally well. The Wachowski Brothers took influence from many other works and fused it with their own innovation and creativity to create one of the greatest and most influential films of our generation.

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